Sibling rivalry is something that most parents of twins will face at one point or another. Most parents of twins know that they are likely to have a rough time with their children fighting and arguing with each other. The main issue is that it’s hard to keep twin toddlers separated. These two twins are also so similar; they are going through similar stages of development and look so much alike that it’s all too easy for them to annoy each other by doing the same things.
‘The Jungle Song’ arrangement by Ashmi and Avanti Kshirsagar. All credit goes to the original hindi poem written by Ramanuj Tripathi and composition by Vikas Bhave. This song is a part of a skit presentation done by the twins’ school. The whole programme was streamed live and was presented by more than 200 kids of class 3. This is the song presented by the twins.
Guitar/rhythm: Ashmi Kshirsagar (Electric guitar)
Drums: Avanti Kshirsagar (Alesis TurboMeshKit)
Vocals: Ashmi and Avanti
Special thanks to: Boiha Glaz Fanai (Music teacher & Owner, Glaz Music Academy, Pune) for All the guidance and help.
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‘Dhol Mujea Bai’ / धोल मुझ्या बाय is an evergreen and beloved konkani lullaby, which every Goan grew up listening. First released in 1966 from the movie ‘NIRMON’. Originally sang by Shalini Mardolkar, Lyrics by C. Alvares and Music Frank Fernand. In this article I have tried to explore the cultural significance of this song and the movie.
The Konakani movie ‘Nirmon (1966)’ was Frank Fernand’s second production. It had story and direction of A. Salam and music by Frank Fernand himself, dialogues by C. Alvares, screenplay and editing by R. V. Shirkhande. The film stars Shalini Mardolkar, C. Alvares, Anthony D’Sa, Jacint Vaz, Antonette Mendes, Ophelia, Jack Souza Ferrao and J. P. Souzalin. The film won two National Awards. C. Alvares (Celestino Alvares), known as the “King of Duets” received the award for best actor. This film won the Certificate of Merit for regional films at the 13th National Film Awards, the first of its kind for Konkani. Nirmonn is based on Lord Tennyson’s character from the 1864 poem Enoch Arden. It follows a story of a, destitute woman with three children, who after believing that her husband has passed away is forced to marry a wealthy male she dislikes.
Thanks a lot for visiting my blog. Please do ‘★ LIKE’ the post if you found it to be useful. Your comments, suggestions, criticism and all opinions are very much appreciated. Please do write your queries in the Reply/comments section and I will try to get back to you asap.
All the content on this blog is copyrighted. It takes immense research, hard work, patience and time to come up with a comprehensive article/post. If you like and need to use any of my article(s) or any part of it, please do give the requisite reference, link or credit to my website/blog . DO NOT COPY WITHOUT PERMISSION.
Drum cover of a classic ‘Another bites the dust’ by Queen played by Avanti Kshirsagar on electronic Drums. Please use headphones for better sound quality.
Drum cover of Gold Lion by the ‘Yeah, Yeah, Yeahs’ – Trinity Initial Drums play by Avanti Kshirsagar on electronic Drums. Please use headphones for better sound quality.
“Systematic research has increasingly demonstrated a series of clear benefits of children’s engagement in pretend games from the ages of about two and one half through ages six or seven.”
Dr. Scott Kaufman – 2012 Psychology Today article
As children’s time is taken up more and more with scheduled activities, it is important to consider what they are losing when they miss out on pretend play. In many ways, a few hours creating pretend ponies and galloping around the yard with fellow cowboys and cowgirls is as developmentally essential as any other pursuit. In today’s video game age, however, children are not getting the same opportunity that their parents had to engage in this freeform style of play. Children’s play houses are a great way to encourage children to take part in make-believe or imaginative play, allowing them to reap the child development benefits.
“…colours expand and contract, colours travel on the surface of the static painting… colour trajectory is strategy… A colourist needs to master the art of silencing some colours, so as to render others eloquent.” – Akbar Padmasee
Akbar Padamsee, India Myth and Reality, Aspects of Modern Indian Art, Oxford, 1982, p. 17
My twins who are 2nd graders now, have this interesting chapter in their art book called ‘Splish-splash’. This chapter explores different textures and colour combinations. There is also this interesting concept where they are asked to imagine a topsy-turvy world; a world with jumbled up colours. How does it make you feel? It is a very fascinating way to expose the children to think ‘out of the box’, to make them understand an impressionist’s view of the world. How an object is seen through a different perspective by an artist.
Raising Twins™ 